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Early film culture in Hong Kong, Taiwan, and Republican China :kaleidoscopic histories
著者 Yeh Emilie Yueh-yu Editor
葉 月瑜(Yeh, Emilie Yueh-yu) 編輯
出版地 Ann Arbor, Michigan
出版者 University of Michigan Press
出版日期 c2018
訂價 US$29.95
ISBN 9780472053728
裝訂 pbk.
稽核項 ix , 354 p. ill. 23 cm
附註 Includes bibliographical references (pages 313-343) and index
A Note on Transliteration and Translation
Introduction
Emilie Yueh-yu Yeh
Part I. Revising Historiography: Early Film Culture in Hong Kong, Taiwan, and Guangzhou
1. Translating Yingxi: Chinese Film Genealogy and Early Cinema in Hong Kong
Emilie Yueh-yu Yeh
2. Magic Lantern Shows and Screen Modernity in Colonial Taiwan
Laura Jo-Han Wen
3. From an Imported Novelty to an Indigenized Practice: Hong Kong Cinema in the 1920s
Ting-yan Cheung and Pablo Sze-pang Tsoi
4. Enlightenment, Propaganda, and Image Creation: A Descriptive Analysis of the Usage of Film by the Taiwan Education Society and the Colonial Government Before 1937
Daw-Ming Lee
5. “Guangzhou Film” and Guangzhou Urban Culture: An Overview
Hui Liu, Shi-Yan Chao, and Richard Xiaying Xu
6. The Way of The Platinum Dragon: Xue Juexian and the Sound of Politics in 1930s Cantonese Cinema
Kenny K. K. Ng
Part II. Intermediaries, Cinephiles, and Film Literati
7. Toward the Opposite Side of “Vulgarity”: The Birth of Cinema as a “Healthful Entertainment” and the Shanghai YMCA
Yoshino Sugawara
8. Movie Matchmakers: The Intermediaries between Hollywood and China in the Early Twentieth Century
Yongchun Fu
9. The Silver Star Group: A First Attempt at Theorizing Wenyi in the 1920s
Enoch Yee-lok Tam
10. Forming the Movie Field: Film Literati in Republican China
Emilie Yueh-yu Yeh and Enoch Yee-lok Tam
11. Rhythmic Movement, Metaphoric Sound, and Transcultural Transmediality: Liu Na’ou and The Man Who Has a Camera (1933)
Ling Zhang
Chinese and Japanese Glossary
Contributors
Bibliography
Index
複本/館藏資料
索書號 館藏地 流通類型 現況 到期日 條碼號
720.9 Y44   TFI 西文參考書 館內架上 34243300065907
 
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