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A History of Experimental Film and Video :from the canonical avant-grade to contemporary British practice
著者 Rees A. L. 
出版地 London
出版者 British Film Institute
出版日期 2011
訂價 €31.02
ISBN 9781844574360
裝訂 pbk.
稽核項 xii, 196 p. some col. ill. 24 cm
版本 2nd ed.
附註 Includes bibliographical references (pages 178-183) and index.
Introduction to the 2nd Edition
Preface
Introduction
Sitting the Avant-Garde
Vision Machine
Time Base
Point of View
Modernisms
PART I: THE CANONICAL AVANT-GARDE
Origins of the Moving Image (1780-1880)
Photography
Art and the Avant-Garde: Summary 1909-20
The Cubists
Primitives and Pioneers (1880-1915)
Futurists
Abstract Film
The Comic Burlesque
The Art Cinema and its Circuit
Cine-Poems and Lyric Abstraction
Origins of Abstract Film
The Absolute Film
Cubism and Poular Film
Dada and Surrealist Film
The French Avant-Garde 1924-32
Voice and Vision in the Pre-War Avant-Garde
Transition: into the 1930s and Documentary
Reviewing the First Avant-Garde
Underground
Two Avant-Gardes (Mark 1)?
Structural
PART II: BRITAIN, 1966-98
English Structuralists
Primitives and Post-Structralists
Video Stirs
Art and Politics
A cinema of Small Gestures
Rebel Waves
Art Cinema's Odd Couple: Derek Jarman and Peter Greenaway
New Pluralism
Black British
Electronic Arts
yBa
"Where are we now?"
Points of Resistance
Conclusion: In the Gallery and on the Air
The Migrating Frame from Film to Video
Topologies
The Origins of the Avant-garde and Current Practice
複本/館藏資料
索書號 館藏地 流通類型 現況 到期日 條碼號
491 R328-2   TFI 西文參考書 館內架上 34243300065170
 
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