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A revolution for the screen :Abel Gances Napoleon
集叢名 Film Culture in Transition
著者 Cuff Paul 
出版地 Amsterdam
出版者 Amsterdam University Press
出版日期 c2015
訂價 €95.00
ISBN 9789089647344
裝訂 hbk.
稽核項 272 p. ill. 24 cm.
附註 Includes bibliographical references (p. 249-261) and index.
Preface: Critical perspective
1. Napoleonic ambition and historical imagination
1.1 Introduction
1.2 Messiahs of the nineteenth century
1.3 Towards a new era
1.4 Cinema and the Napoleonic project
1.5 Historiography as ritual
1.6 Summary
2. Shaping expectations: The young Napoléon Bonaparte
2.1 Introduction
2.2 Cinema as experiential art
2.3 Multiplying perspective
2.4 Father to the man
2.5 Invoking the future
2.6 Iconic isolation
2.7 Summary
3.Civilization and savagery: Visions of the French Revolution
3.1 Introduction
3.2 Reasoning with chaos
3.3 Community and spectatorship
3.4 Fire and phoenix
3.5 Summary
4. Mortal gods: Voices of power and of providence
4.1 Introduction
4.2 Communicating authority
4.3 Chaos and providence
4.4 Orchestrating murder
4.5 The rhetoric of the Terror
4.6 Summary
5. The dark light of Napoleonic cinema
5.1 Introduction
5.2 ’Bonaparte’ and ‘Napoléon’
5.3 Visual antitheses
5.4 Inheritance
5.5 The expansion of visual language
5.6 Summary
6. A view from the margins of history
6.1 Introduction
6.2 Oblivion and remembrance
6.3 Parallel lives
6.4 Documentation and survival
6.5 Forlorn recognition
6.6 Summary
7. Melodrama and the formulations of family
7.1 Introduction
7.2 Incomplete families
7.3 Fate and fortune
7.4 Flirtation and observation
7.5 Negotiating the future
7.6 Love and war
7.7 Summary
8. Worlds in transition: Class, consumption, corruption
8.1 Introduction
8.2 Corrupting powers
8.3 New femininities
8.4 The Victims’ Ball
8.5 Summary
9. Death and transfiguration
9.1 Introduction
9.2 From history to legend
9.3 From individualism to universalism
9.4 Summary
Conclusion: The case for enthusiasm
複本/館藏資料
索書號 館藏地 流通類型 現況 到期日 條碼號
461.2 C84   TFI 西文參考書 館內架上 34243300064611
 
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