進階查詢
關於我們 使用簡則
借還書辦法 遺失賠償辦法
 
Visions of Vienna :narrating the city in 1920s and 1930s cinema
著者 Seibel Alexandra 
出版地 Amsterdam
出版者 Amsterdam University Press
出版日期 c2017
訂價 €95.00
ISBN 9789462981898
裝訂 hbk.
稽核項 253 p. ill. 24 cm.
附註 Includes bibliographical references (p. 235-245) and index.
1. Introduction 9
Viennese Modernity and the Impact on Cinema 14
The Structure of the Cinematic City 21
2. Fairgrounds and Vineyards: Urban Topographies in the Viennese Films of Erich von Stroheim
Introduction 25
Reflections at the Fairground: Erich von Stroheim’s and Rupert Julian’s Merry-Go-Round (1923) 28
Melodrama, Mass Culture, and Social Masquerade 35
Deception and Reflection: The Entertainment Machinery 39
Sex, Romance, and Spectacle: Leaving the Prater Behind 40
Excess and Analysis: Erich von Stroheim’s The Wedding March (1928) 43
Concentric City: Center, Circle, and Suburbs 48
Baroque Modernity: The Aesthetics of the Rotten 50
Repressed and Restricted Looks: A Geography of the Gaze 55
Meet Me at the ‘Heuriger’: Tales of the Iron Man 58
3. Critical, Controversial, Conventional: Viennese Girls in Films by Ophüls, Feyder, Hochbaum, and Forst
Introduction 65
Arthur Schnitzler’s Sweet Young Thing: Male Fantasy and Female Misery 69
The Viennese Girl vs. the Femme Fatale 71
The Viennese Girl in International Cinema 74
Max Ophüls, Vienna, and Liebelei (1933) 76
Variations of Reality in Liebelei: The Military and the Theater 79
The Gaze of Oppressive Masculinity and the Need for Disguise 83
The Kaiser and The Viennese Girl: Doing Away with the Habsburg Myth in Liebelei and De Mayerling à Sarajevo (1938) 86
Happy Endings in Hollywood: Sidney Franklin’s Reunion in Vienna (1933) and Jacques Feyder’s Daybreak (1931) 89
The Viennese Girl and the Truth of Music in Liebelei 95
The Viennese Girl on Stage: Werner Hochbaum’s Vorstadtvarieté (1935) 97
Willi Forst’s Maskerade (1934): The Viennese Girl and Social Folklore 101
Living Backstage, Dying in the Backyard: The Drama of Marginalization in Liebelei 105
4. Women and the Market of Modernity: G.W. Pabst’s The Joyless Street (1925)
Introduction 109
Leaving the Habsburg Myth Behind: Postwar Misery, Hugo Bettauer, and the Literature of Inflation 111
A Taste for the Real: New Objectivity, Cynicism, and the Cult of Distance in Weimar Modernity 113
The Weimar Street Film, the Street, and The Joyless Street 116
The Semi-Public Hotel: In the Realm of Purchasing Power 120
The Public Street: Taking a Walk in Melchiorgasse 123
Upstairs, Downstairs: Social Climbing Along a Vertical Axis 130
Mother and Whore: The Convolution of the Inside and the Outside World 134
Challenging the Male Gaze: The Female Subject in Armor 138
The Transfer of Agency: Reclaiming the Joyless Streets 141
Pabst’s Film Adaptation of Bettauer’s Book: Omitting the (Anti-)Semitic Discourse in The Joyless Street 142
Death in the Mirror: The Killing of a Jewish Femme Fatale 150
5. The Sound of Make-Believe: Ernst Lubitsch and the World of the Operetta
Introduction 155
‘Retrospective Utopia’: The Myth of Vienna and the Operetta 157
The Meaning of the Waltz: The High, the Low, and the Great Fall 162
Contested Territory: The Operetta and Its Allure for Cinema 165
Becoming Viennese: Music and Sexual Agency 166
Ernst Lubitsch and the Naughty Operetta Tradition 174
‘What a Speller!’: Noise and Speech versus Song and Dance 181
Making Love on a Park Bench: Private Boredom and Public Bliss 186
The Taste of Mandelbaum and Greenstein: The Masquerade of Otherness 192
Jewish Sophistication and the Viennese Operetta 196
Coda 201
6. Conclusion 205
複本/館藏資料
索書號 館藏地 流通類型 現況 到期日 條碼號
168 S45   TFI 西文參考書 館內架上 34243300065444
 
財團法人國家電影中心  版權所有    電話:(02)2392-4243、(02)2396-0760    傳真:(02)2392-6359    地址:10051台北市中正區青島東路7號4樓
 
國家電影中心官網